The last day of May. There’s a sparse layer of hail on the lawn, there is the odd flurry of snow and four rose bushes still have blooms. Crazy weather.  
Poets often write about their craft.  Fiona Farrell, one of our most versatile writers,  spent six months on a writing fellowship in Ireland at Donoughmore. The poems that arose from her experience there are striking. They were published in the volume The Pop-Up Book of Invasions. In particular I like this one about how the poet turns the flop of failure into a myth. Homer ensured we do not see Hector as just a loser. Neither were the old warrior chiefs or the 1916 revolutionaries of Ireland. Fiona adds a further feminist dimension to such myths.
THE WINNER
The poet always wins 
or the blind singer. 
Butcher’s shambles in 
dust by the city wall or 
spilled on office floor, 
deals wrought behind 
veneer while bullets 
pierce the bronze wings 
of angels. One two three
Small arguments at 
kitchen tables, doors 
slamming on never. 
Small hatreds small 
betrayals small deaths 
in smoke and falling 
stone. Days that fade 
to shouting. 
No sign of victory in 
the guts. A bloody mess. 
Then the poet comes and 
sees in the flop of failure 
the outlines of some old 
hero whom another poet 
made from grunt and stab 
on some muddy hill. And 
there’s that girl again, in 
her buttoned coat, waiting 
at the prison gate till her 
husband dies. 
She is listening for the 
sound of bullets piercing 
cotton shirt and snuggling 
into lung and heart. 
One two three. 
And that’s how 
the song 
will start. 
I greatly enjoyed her last two novels, Book Book and Mr Allbones’ Ferrets.  Book Book reflected the reading of the period of my life - I related to it very easily. The publisher described Allbones as ‘an historical, pastoral, satirical, scientifical, romance with mustelids.’ I found it an absorbing read. So it was with anticipation I  started reading her latest, Limestone. Ian Sharp in this morning’s paper said it was one of the best recent New Zealand novels. From what I’ve read so far I would not disagree. Indeed, I’m finding it difficult to stop reading it. I love the sense of time her opening chapter conveys.
Apricot season
5 years ago